Maryalice Eizenberg - Painterly Observations, Oil/Opaque Mediums (11/11-12/9, 1/6-2/10, 3/3-3/24)
Maryalice Eizenberg - Painterly Observations, Oil/Opaque Mediums (11/11-12/9, 1/6-2/10, 3/3-3/24)
STILL LIFE:
Nov 11, 18, 25, Dec 2, 9
MONDAYS- 9:15 AM - 12:15 PM
$135 members/ $165 non member
Figure in the Landscape:
Jan 6, 13, 20, 27, Feb 2, 10
MONDAYS- 9:15 AM - 12:15 PM
$180 members/ $210 non member
STILL LIFE:
March 3, 10, 17, 24
MONDAYS- 9:15 AM - 12:15 PM
$120 members/ $150 non member
Still Life
Taking your skill to the next level or starting from scratch, painting is all about seeing. There is no better way to learn how to see like a painter than studying the still life. Join us mornings to learn how to "see more deeply", allowing you to mix color and see light on the objects in a whole new way. This new way of seeing results in lively, light filled paintings whether your interest lies in the still life, in the landscape or in painting the figure. All levels welcome.
Figure in the Landscape
Join us to explore painting the figure in the landscape using reference materials. This class will focus on capturing the human form placed in natural settings with special attention given to light and color. Photographic reference will be provided or you can bring your own. Think of that wonderful family photo you have always wanted to paint! All opaque mediums are welcome!
Maryalice Eizenberg Materials List
Colors:
Transparent Oxide Brown or Burnt Umber
Transparent Oxide Red or Burnt Sienna
a Cold Red: Permanent Rose or Alizarin Crimson
a Warm Red: Antraquinone red or Cadmium Red Medium
a Hot Red: Cadmium Red Light
Cadmium Orange
a Warm Yellow: Cadmium Yellow Medium
a Cool Yellow: Cadmium Lemon Yellow
Dioxazine Purple or some other purple pigment (it is hard to mix a purple from your red and blue and have it remain bright and clear)
Viridian
Cobalt Blue
Ultramarine Blue
Yellow Ochre
White
Guest Colors: Permanent Magenta and Stil de Grain Yellow
Brushes:
Some large bristle brushes
Some large and small soft brushes (mongoose, sable or synthetic)
Surfaces:
Panels or stretched canvas in sizes that you are comfortable with. It is easier to work large than to work small. 12 x12, 12x16 ,16x20, and 24x24 all work well.
Reviews:
Maryalice is welcoming to all students and is very knowledgeable about painting techniques, color, composition, styles and artists. She encourages her students through respectful positive feedback to develop their own style. I enjoy this class and would highly recommend it. - Pam K.
